50 Artists for 50 Years: Vesile Yilmaz

Vesile is a traditional ebru artist (Turkish art of water-marbling). Steeped in ancient tradition, Vesile takes pride in performing this unique form of art using authentic ingredients and centuries-old techniques. From preparing her paint from scratch using natural pigments derived from earth minerals, to crafting rose-wood brushes using horse-hair, she lovingly honors the deeply rooted traditions. Her marbling designs are intuitively created and skillfully transferred to paper, fabric, ceramic, leather, and wood.

On a personal side, art has given Vesile a voice and continues to guide her philosophy through life’s journey. Working with a fluid medium brings an unforeseeable and uncontrollable element, and Vesile embraces this mystery of the process and relishes in the entwining of spirituality and abstract art.  Her dynamic and inspirational work is a true celebration of color that allows for multiple interpretations.

Has the Wisconsin Arts Board had an impact on your work? If so, please describe.

The Wisconsin Arts Board’s support through the folk arts apprenticeship grant has had a profound impact on my artistic journey over the past two consecutive years. This support has not only provided me with essential financial resources but has also offered me invaluable opportunities for growth, learning, and networking within the realm of folk arts. First and foremost, the grant has allowed me to dedicate focused time and effort to honing my skills as a folk artist. The financial assistance provided has relieved some of the financial burdens associated with pursuing apprenticeships, enabling me to fully engage in the learning process without having to worry about immediate financial concerns. This dedicated time has facilitated my deep immersion into the traditions, techniques, and intricacies of folk art, leading to significant improvements in the quality of my work. Moreover, the recognition and endorsement from the Wisconsin Arts Board have amplified my credibility and visibility within the folk arts community. Being a recipient of their grant has opened doors to various opportunities for showcasing and sharing my work. Whether through exhibitions, workshops, or collaborations, I have been able to connect with fellow artists, enthusiasts, and mentors who have enriched my perspective and expanded my artistic horizons.

What energizes you as you consider the future of the arts in Wisconsin?

What truly energizes me when I contemplate the future of arts in Wisconsin is the deep-rooted appreciation and reverence that the people of Wisconsin have for history, heritage, and culture. The state’s inherent recognition and promotion of traditions, both local and global, provide a fertile ground for the arts to flourish. A prime example of this is how the community has embraced marbling art, not just as a mere artistic expression, but as a significant representation of intangible cultural heritage. This collective acknowledgment underscores the fact that art isn’t just about aesthetics; it’s a thread that binds us, bridging gaps and reminding us of our interconnectedness. As we move forward, I am filled with optimism that the arts in Wisconsin will not only preserve the rich tapestry of our shared past but also innovate and evolve, reflecting our collective journey and the intertwined stories of humanity.

Where can we find your work?

You can find out more about Vesile’s upcoming classes and marbled creations on her website www.doebru.com. Her work was also featured on Milwaukee PBS last year.